![]() The movie is quite violent, sometimes in suprising ways, with Anton dispatching at least one victim in a way worthy of James Bond flick IMHO. ![]() Right from the start I appreciated the skill of the Coen brothers, with the film having one of the slowest moving openings that I can recall ever seeing, while simultaenously NOT being the least bit boring. However it works much better here than it does on that show. Really that's the highlight of film and the story (much like defenders of ABC's TV series Lost) is simply there to support the characters and not the other way around. ![]() It's less about Moss getting away with the money or Anton finding it than it is about getting to really know these characters. ![]() Basically the movie is the intertwining of three stories: Moss', Sheriff Bell and Anton. ![]()
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![]() Shes armed-with hot irons, sharp shears, and a flair for color. ![]() We buy these and sort through them to grade their condition. and into her heart.īut can a talented hairdresser from the sticks really make it in image-obsessed L.A. Buy a cheap copy of Split Ends book by Kristin Billerbeck. Other publishers do not mark them in any way. She's dangerous-truly bad news for bad hair.Īnd she's going to do whatever it takes to make a place for herself in the exclusive Beverly Hills salon.Įven if that means sweeping hair, emptying trash, scrubbing dummy heads, and making soy lattes for the stars that come to Yoshi's salon.Įven if it means hiding the fact that she's not really an up-and-comer from New York, but a drunk's daughter from small-town Wyoming.Įven if it means igoring her attraction to a tall, dark stranger in a fedora who just stepped off the elevator. She's armed-with hot irons, sharp shears, and a flair for color. ![]() ![]() ![]() ![]() Dick’s hallucinatory spiritual experience and Bukowski’s magnificent letter of gratitude to the man who helped him quit his soul-sucking day job to become a full-time writer. ![]() In 1998, a final posthumous collaboration was released under the title The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship ( public library) - an illustrated selection from Buk’s previously unpublished diaries, capturing a year in his life shortly before his death in 1994.Ĭomplement with R. Crumb’s signature underground comix aesthetic and Bukowski’s commentary on contemporary culture and the human condition by way of his familiar tropes - sex, alcohol, the drudgery of work - coalesce into the kind of fit that makes you wonder why it hadn’t happened sooner. Crumb illustrated two short books by Charles Bukowski (August 16, 1920–March 9, 1994), Bring Me Your Love ( public library) and There’s No Business ( public library). The book was first published in 1998 with illustrations by Robert Crumb. In the early 1980s, two titans of the artfully cynical and subversive joined forces in an extraordinary collaboration: Legendary cartoonist and album cover artist R. The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship is a collection of extracts from the journals of Charles Bukowski, spanning 1991 to 1993. ![]() |